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The fast train
2244 left the station of Sibiu three minutes late. The ticket
collector had talked to the engine driver and they both waited
for Aurelian Gavrila. His friends put him into the goods wagon,
feet ahead, in a six- board box made of fir wood. It’s his
last journey. The station was now behind, with them standing
on the platform and the two black glossy railways, covered
with snow. But not too much snow, they were only sprinkled,
the way his aunt used to sprinkle the pies with powdered sugar. |
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This happened years ago,
when Aurelian Gavrila was still among the living. He would
have liked the yellow reed |
that was white iced. He always did. When he was still alive,
Aurelian would kill his time in small stations where only
the local trains stopped, or among the railways, at crossings.
He was a switchman. Or at least this was what the state
paid him for, yet all knew he had had his education in the
capital. He used to say that nowhere did he feel more alive
and freer than near the railroad. Nor did he feel anywhere
else closer to death. As a toothless kid, with the seat
of his panties patched, he would come to the crossing of
the railroad tracks together with the kids from the town.
They would hide in the reed on the edge and throw yellow
plums at trains. He had planned to flee to Germany together
with the Transylvanian German twins, hidden in the goods
wagon, among the sheep skin bags full of cheese sent for
export. When he got a little taller, so that he looked now
like a weakling on stilts, he used to go alone to the footbridge.
He literally devoured books from cover to cover, smoked
cigarettes stolen from his uncles and watched trains passing
underneath. He made drawings with a pencil stump on the
inside of the books’ covers. Nobody minded for he was the
only one who read Cioran, Sartre and Anatole France. Once
he started to shave his down and his voice grew deeper he
started taking girls to the footbridge. Girls dumber than
the geese in aunt’s courtyard, nevertheless that was precisely
why he loved them. Giggling on their high lacquered heels,
they would blush and allow being touched under their crepe
skirts.
One day he went to the footbridge with a girl older than
him, a student of the fine arts. She had called him a ‘man’
and that’s why he worshiped her. He loved her face and her
body, her hair and the way she smiled at him. At night he
would dream about the three moles on her left thigh. He
broke up with her in hatred. When he was not there, the
student used come on the sly to the footbridge in order
to paint the stationary wagons. On her canvas, the wagons
looked greenish, gray, black and rusty, long and sweaty.
Her best painting pictured the greenish, delicate wagons.
When he found her paintings concealed in a red and abandoned
wagon, Aurelian felt frustrated and betrayed. They belonged
only to him, could she not get that much?? He threw to her
face everything he had to say, slapped her and drove her
away. He never saw her again since that winter day. But
he kept looking for her in the face of all the women that
got into his bed.
The fast train 2244 passed by the stationary red wagon.
The engine driver did not slow down, nor did he whistle.
From his box that was hidden in the goods wagon, Aurelian
Gavrila did not feel anything unusual. As a matter of fact
he felt nothing. His hair and nails had grown a few millimeters
longer and his skin had gotten a little bluish. He would
have liked to know that it was still winter, his favorite
season, that the grass was snow iced, that he had passed
by the red wagon and that he was now lying among boxes full
of cheese sent for export. Delicious cheese, kept in fir
bark, the kind that smells like rosin and is reddish-copper
colored. Since this was his last journey, he should have
been able to feel all these. He should have known that one
of those foolish girls he used to meet at the footbridge
was now by the railroad, a hundred meters away from the
train. She is the brunette who married the priest and who
always smiled to him on the street. Aurelian Gavrila will
have passed through eight stations before the train loops
and comes back in the station of Sibiu. He will be buried
in the graveyard by the railroad and the brunette’s husband
will be the one to perform the ceremony.
The End.
Alina Andrei
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